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Here are the texts of two great reviews on Amazon:
Science fiction epic!
An epic of true Taylor proportions! In the 28th century world of the future created as home to our hero Robbie Nikalishin we share all his trials and tribulations as he seeks to fulfil his ambition to fly to the stars. As with all Taylor's characters we are faced with our own shortcomings and weaknesses despite the distances of time and space that separate us from Robbie and his compañeros. A page-turner of a book - impossible to relinquish until the pages run out ... leaving us hungry for more.
What a ride!!! More, please!
This may be the best book I have read in the last ten years. Certainly it is the best science fiction book I have read since Mary Dorian Russell's "The Sparrow" and "Children of God" books. Please, PLEASE, Ms. Taylor, write the sequel soon!
This is a story of flawed heroes and perfect plot, of hard science and tender hearts. It is intelligently written, fantastic entertainment for the imagination, fascinating, and the characters are very three-dimensional. There is excitement, humor, adventure, and exploration not only of quantum physics but of the human spirit, all against a backdrop of an all too plausible future.
The only complaint anyone could possibly have with this gem of a story is that the sequel isn't here yet. Eagerly awaiting the next part of the saga.
This isn't the first time my books have been compared to Mary Doria Russell's. Here is a paragraph from a review of Monster Is in the Eye of the Beholder, written way back in January, 2012:
Lorinda J. Taylor's imaginative and entertaining science-fiction novella, Monster Is in the Eye of the Beholder, reminded this reader of Mary Doria Russell's The Sparrow (1996). Both works are first-contact stories that turn on what happens when human beings, acting with best intentions, behave in ways that cause catastrophic damage. Doria Russell and Taylor both explore the nature of good and evil, cultural difference, and prejudice, and both choose to tell their stories, for the most part, in framed flashbacks.
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