Sunday, November 30, 2014

Two Weeks' Worth of FREE Books!

Sorry, folks!  The coupons have expired!
But the regular price on all my ebooks is only $2.99
except for Monster Is in the Eye of the Beholder,
and it's only $1.99!
and if you buy a paperback, you get a Kindle FREE!

I don't want to commit a lot of time to a Christmas promotion because I have no idea what I'll be required to do over the next few weeks, so I'm having a SMASHWORDS COUPON GIVEAWAY.  Starting Monday, December 1, 2014, I'll be publishing coupon codes for different books each day.

I've changed my mind!  I'm going to be tied up for the rest of the week!
So I'm adding all the codes at the end of this post.

Back and front cover of v.1

Monday and Tuesday, I'm featuring both volumes of
The Termite Queen,
because, since it's a two-volume novel and not a series,
you really need to acquire both volumes of the book.

All coupons will expire on 12/14/14!
Go to Smashwords, buy the book,
enter the code at checkout,
and voila! 
You are the proud owner of one of my books!

Here are the rest of the codes,
which make all the books free!

You can find all the books in the series
The Labors of Ki'shto'ba Huge-Head
in the Smashwords series entry:

v.1: The War of the Stolen Mother

v.2: The Storm-Wing

v.3: The Valley of Thorns

v.4: Beneath the Mountain of Heavy Fear

v.5: The Wood Where the Two Moons Shine
v.6: The Revenge of the Dead Enemy

Again, offer will expire on 14 December 2014

Download the books, read, enjoy, and review!


Monday, November 17, 2014

Curse You, Health Insurance Bureaucracy!
       I decided I wanted to drop my AARP Secure Horizons Advantage Plan and switch back to traditional Medicare plus a supplement.  The only advantage to the first one is that there is no premium; the copays don't make up the difference.  However, it's an HMO so you have to get a referral from your primary care physician to see other doctors.  And that's a hassle and it's easy to forget to do it, and a constant source of annoyance to me at present.
       I used to be in traditional Medicare, so now during the open enrollment period, I decided to switch back.
       I just spent two hours on the phone.
       First, I had to call a couple of my doctors and verify that they take traditional Medicare; I really had no doubt but I needed to be sure.  So that took about 20 minutes because the oncologist's office didn't open on time and they had a new menu that didn't include an option for Stay on the line for a representative, so I had to call two or three times before I figured out which number I was supposed to punch.
       Then I called the AARP Medicare Supplement phone number that I got off their website.  They said they couldn't switch me to regular Medicare; I would have to call a Licensed Healthcare Representative at a different number.  O-o-o-kay.
       That person said I couldn't switch at that line and I needed to call Medicare and re-enroll in Medicare.  When I got to that number, the automated thingy said that in order to do that I had to call Social Security.  And Social Security is impossible -- after making me sit through this long lecture on the various benefits of SS, they said they were too busy to answer the phone right now and call back at a less busy time.
       You understand, each one of these numbers tortured the listener with a long menu of options and "answer this question" and "answer that question ... " and "Hold for a representative," etc., etc.
       So then I was thoroughly confused and tired and out of all options.  So I called Secure Horizons, which has always given me trouble in the past, and lo and behold!  I quickly got a human being who knew what he was talking about!  His name was Ray! 
Ray, wherever you are, you're a terrific person! 
      He said he would disenroll me from Secure Horizons and when that happens, you automatically revert to traditional Medicare, which is what I thought all along ought to happen -- but not according to all those other imbeciles.  I stay in Secure Horizons through Dec. 31, and in a week or ten days I will get a disenrollment form in the mail to fill out, and I'll fill it out and send it back, and then I can sign up for a Medicare supplement plan, just like I used to have.  There will be plenty of time to do it, and I think it can be done online.  Let's hope so!  I think the websites are less ignorant than the phone representatives.  I know what plan I want, and I really understand traditional Medicare much better than I ever understood the Advantage Plans.
       The only thing I didn't like about that last one was at one point, Ray had to go away and get some information, and during that time they played a piece of 18th century chamber music, maybe Hayden or Mozart.  Now, I like 18th century chamber music, but this piece was very short and repeated endlessly, the same thing.  After hearing something fifty times, the most artistic piece of music can drive you crazy! 
       The reason I changed in the first place was that my erstwhile PCP sent out this letter saying he was going to drop any patient who didn't transfer to an Advantage Plan.  Even though that didn't seem right to me at the time, I didn't want to have to find a new PCP, so I switched.  Now the same practice, which that doctor has now left, says, no, they take traditional Medicare.  *#$*#@!
Oh, the joys and conveniences of our contemporary civilization!

Wednesday, November 12, 2014

Ye Olde Grammarian (No. 6): A Hodgepodge, Plus Some E-Book Formatting Tips

Otherwise known as a potpourri, pastiche, melange, mishmash, or gallimaufry!
(you can find a word game on this website!)
       I recently read somewhere about certain conventions of print books that I realized I had been flagrantly violating.  (I checked a bunch of books that I own and by golly, both these things are true.)
       First, don't use "by" on the cover and title page.  Unfortunately, I have done that consistently, until the last two books in the Ki'shto'ba series, where I dropped the "by" on the cover.  I did, however, retain it on the title page, again for the sake of consistency. 
       The other convention is that the first paragraph of a chapter or chapter section is not indented.  Sometimes they even use a few letters in all caps.  After I learned this, I tried not indenting, but it just didn't look right to me, so again for the sake of consistency I persisted in indenting the first paragraph.
       So I make my mea culpas.  In my next publication, I may amend my ways.  In the meantime, if it really bothers you that I use "by" on the cover and t.p. or that I indent the opening paragraphs, I guess you just can't read my books, or you can read the e-books, where clarity is the only rule that really applies.
       I am very much aware that a writer should italicize the names of ships.  I didn't do that in v. 5 and 6 of The Labors of Ki'shto'ba Huge-Head.  Somehow I thought it seemed artificial.  I think the Shshi consider their ships as something more than inanimate objects, so, since one does not italicize the names of individuals, it seemed wrong not to treat ships the same way.  You'll notice that I did italicize the name of the human ship in v. 6.  And that's saying more than I should.
       So I don't want to hear any complaints that I don't know that rule!
       Now I want to talk about backward apostrophes.  In Word, most people use curly apostrophes  and when you type a single apostrophe, it comes out like this: He said, ‘I see you.’  An initial single apostrophe always opens to the right, which is correct for a quotation mark.  But when the apostrophe signifies an omission, it shouldn't open to the right -- it should open to the left.  Wrong: Eat ‘em up!  It should be Eat ’em up!  So how did I make it go the right way?  I type this: Eat ‘’em up! and then go back and delete the first apostrophe.  I get irked every time I read a book formatted by somebody who doesn't know you can do this.
       So what's with the word or words "alright" and "all right"?   Here is the Usage Note under "alright" in
"The form alright as a one-word spelling of the phrase all right in all of its senses probably arose by analogy with such words as already and altogether. Although alright is a common spelling in written dialogue and in other types of informal writing, all right is used in more formal, edited writing."
       It may be becoming common to spell it "alright," but it still irks me when I encounter it in an otherwise well-edited book.

       I have always had problems knowing whether to use "a while" or "awhile."   Read what Grammar Girl has to say about it -- it's basically what I finally came up with on my own.  "Awhile" is an adverb.  "I stayed awhile."  "He stared at the girl awhile and then approached her." 
       "A while" is simply an article plus a noun, and that construction is required when an object is involved, for example, in prepositional phrases: "I stayed for a while." "He left after a while."  Grammar Girl gives this example, which may confuse some people.  "It's been a while since he visited."  The reason you use the noun form here is that "to be" in a copular, or linking, verb and takes a predicate nominative or a predicate adjective rather than an adverb.  (You wouldn't say, "He's been quietly for a while,' would you?  You would say, "He's been quiet for a while."  "Quiet" is an adjective modifying "he.")  Esoteric, you say?  You should have heard my mother expounding on linking verbs!  Some other linking verbs are "to become," "to feel ," to smell," etc.  If you're interested in pursuing this further, go here.

       I'm going to reiterate what I said in an earlier post about using commas in terms of address.  It's the old "Let's eat, Grampa" vs. "Let's eat Grampa" dichotomy.  In my earlier post I said this: "The use of the vocative (i.e., an instance where you are addressing someone) is related to this.  ...  Here is another [example] as to why you should set off the name of the person addressed with a comma:
       What don't you want to tell John?
       What don't you want to tell, John?
       I recently read a book where the language got really confused because of the omission of commas.  I was always having to stop and go back and figure out what the author meant.  I think it's a British tendency to omit commas in this sort of construction, but I do wish people would return to the old rule.

To read my other Olde Grammarian posts, go to

Summary of how to do ToC links on Smashwords

       Now I'm going to add a bit on e-book formatting using Word -- how to easily create a linked Table of Contents.  Smashwords insists that you do this, but Kindle doesn't care.  I get irritated when an e-book doesn't have a ToC linked to the chapters and also chapters linked back to the ToC, because it's so easy to lose your place in an e-book and this way you can always skip through by chapter.  I recommend that everybody do this on all their e-books.  It takes a little time, but it's not difficult and your readers (or at least I) will thank you.
       Make your Table of Contents (remove all links based on style, e.g., Heading 1 or ToC1, etc.)
       Select each chapter heading in the text and create Insert Bookmark (on Insert menu).  Remember, no spaces in bookmark names; abbreviate as much as you like as long as it’s clear (e.g., Ch1 for Chapter One or Note for Note to the Smashwords Edition).
       Go to ToC list and select each Chapter designation.  Then add a Hyperlink, using the Insert menu or the right-click menu.  Click on “Place in this document.”  Select the corresponding bookmark and then click on OK.
       Then make a bookmark for the heading “Table of Contents.”  Smashwords suggests using “ref_ToC” 
       Go one more time through the document text, selecting each chapter heading and making a hyperlink using “ref_ToC.”  This will link each chapter back to the top of the Table of Contents.
       Double check to make sure the ToC entries link to the correct chapters.

Sunday, November 2, 2014

“So the whole war is because we can’t talk to each other.” - Ender's Game

Just a few days after I finished Ender’s Game, I ran across an article in the Colorado Springs newspaper (The Gazette) about how some people were trying to get the book banned from use in a Mesa County school district language arts program.  They didn’t succeed, but the reason a particular parent wanted the book banned was that she “was appalled to read swear words and passages about characters renouncing religion and killing each other.”  (Where has this parent been all her life?) 
The article goes on to state that the book is “an anti-bullying tale.”  I found this a little befuddling; I would have never characterized the book in that way.  It oversimplifies the themes to a really naïve level.  For one thing, when the book was written in the 1970s and ’80s, bullying wasn’t a big topic of interest, and in any case, I don’t think murdering the bully is a valid way to deal with the problem.  The article does also go on to say “Reviewers also called it a message about tolerance, empathy and coping under pressure.”
Some of those statements are true, but I think they miss the point.  And honestly I don’t think the book is particularly appropriate for 10 or 11 year olds, not because of the reasons the parent gave above but because I think it would terminally bore them.  
For me the essential point of the book is how terrible things can happen when communication is non-existent.  People seem to have little interest in the buggers, who are an intelligent species looking for a new place to nest and not nearly as evil as they are portrayed in Earth’s future social context.  The irony is that the buggers weren’t even intending to attack again, and the lengths Earthers went to in order to destroy them says something about humanity – paints a really bleak picture, actually.  Perhaps this point gets de-emphasized because it is made so late in the book.
Most of the book deals with the training of the six-to-eleven-year-old Ender to be the commander who is going to save the world from the next bugger attack.  Personally, I have trouble suspending disbelief that young children could do what Ender and his siblings did, no matter how carefully genetically engineered they were.  This training consists of game-playing.  I am not a game player, so I found the endless dwelling on the “game” of warfare to be quite tedious at times.  I can imagine, however, that this would appeal to inveterate game players.  It’s a very masculine book – it has only three female characters (not counting the bugger Queens, of course) and of those only Ender’s sister filled an important role (a kind of token female).  I think if you’re a guy and you’re a gamer and you think warfare is cool, then you would eat up all those training sequences.  The view and use of gaming was amazingly modern to have been written in the ’70s and ’80s – I thought the use of the “desk” (like a modern laptop computer or tablet) and the sophistication of the games held up well against the evolution of modern technology. 
The one part of the gaming sequences that I found fascinating was the psychological game that Ender played for “recreation.”  This was totally a computer game, not the physical workouts of the Battle Room.  I’m always interested in psychological interpretations of character, and the way this fed into the conclusion of the book was brilliant. 
On the whole, however, I found the story to be gloomy and downbeat, with almost no humor or comic relief.  (I do like some humor in my science fiction.)  To me, it feels unbalanced and depressing.  And the pace of the story is uneven – we have all those endless training sessions and then at the very end of the book we suddenly accelerate into covering several years all packed into that final chapter.  I think the author lapsed into telling and not showing at this point because he had a lot he needed to cover.  The plot suddenly becomes filled with exalted idealism as major revelations are rapidly detailed.  I’m sure Card was preparing the way for the second volume.  In spite of the change of style and pace, however, I found the sequence revealed on p. 321 (where Ender speaks for the annihilated buggers) to be most satisfying and exhilarating part of the book.  It wouldn’t have hurt to shorten the earlier parts by about half.
I did have a couple of other problems with the end of the book.  It seemed all the Queens of the buggers were on one planet, and all of them were killed.  Now even though the buggers could read Ender’s mind, I don’t think they could read the future, so how did they know which planet he would colonize and so where to leave the game recreation and the egg?  Maybe they left a recreation and an egg on all their planets?) Also, it’s stated that the buggers cared for their offspring as they were working their farms.  But if the Queens were all on one planet, why were the offspring on different planets?  I would think they would be kept in nurseries near the Mother until they matured.  I don’t think Card thought this out totally.  However, I was reading the end pretty fast and I might have missed something.
I want to remark on the use of the term “ansible” for a device that allows for rapid communication across light years.  I thought it was pretty neat that he borrowed the word from Ursula K. LeGuin, who invented it.  Here is how the term is explained to Ender: “Somebody dredged the name ansible out of an old book somewhere and it caught on.” (p.249)  Isn’t it nice to know your books will still be around a number of centuries from now?  In fact, LeGuin coined the word ansible in her 1966 novel Rocannon's World, and her 1974 novel The Dispossessed narrates how the technology happened to be invented.  According to Le Guin states she derived the name from "answerable," as the device would allow its users to receive answers to their messages in a reasonable amount of time even over interstellar distances.  Fascinating stuff!
Of course, since I write about giant insects, I’m especially interested in the buggers, and the way things turned out only makes me more interested in them.  My purpose in my books is not only to show that giant insects don’t have to be evil – my purpose is also to show the importance of learning how to communicate with the extraterrestrial lifeforms we are sure to encounter one day.  And of course that’s the most important theme of Ender’s Game as well, even though it seems to get lost in the shuffle.  One of the most important pages of the book is p. 253, where Col. Graff finally tells Ender how the buggers communicate mind-to-mind instantaneously, in a way we can never hope to de-code.  And Ender says, “So the whole war is because we can’t talk to each other.”  That sums up the theme of the book in one sentence.
         [References above are to the mass market paperback edition, published by Tor Books in 1994.]